The Harmonica Club

Championship cash prizes
1st Place $40
2nd Place $30
3rd Place $20

Quadrathlon Grand Champion $50

Plus prizes from Seydel Harmonicas
and a custom harmonica from Elk River Harmonicas

The 3rd Diamond Teeth Mary Blues/Arts Festival 2012

Friday August 24th and Saturday August 25th in Huntington, WV

Featuring  PHIL WIGGINS and
Genava Red's Original Delta Fireballs
a FREE event for everyone

Fri Aug 24th on the main stage

Mark Cabell 2011 WV Harmonica runner up

Sat Aug 25th  On the gazebo

 with free harmonicas for the first 30 people

 Scott Gray on harp the 2011 WV Harmonica Champ

On the main main stage

Championship cash prizes
1st Place $40
2nd Place $30
3rd Place $20

Quadrathlon Grand Champion $50

Plus prizes from Seydel Harmonicas
and a custom harmonica from Elk River Harmonicas

The 3rd Diamond Teeth Mary Blues/Arts Festival 2012

Friday August 24th and Saturday August 25th in Huntington, WV

Featuring  PHIL WIGGINS and
Genava Red's Original Delta Fireballs
a FREE event for everyone

Fri Aug 24th on the main stage

Mark Cabell 2011 WV Harmonica runner up

Sat Aug 25th  On the gazebo

 with free harmonicas for the first 30 people

 Scott Gray on harp the 2011 WV Harmonica Champ

On the main main stage

Rules for the Harmonica Quadrathlon

Rules for the Harmonica Quadrathlon

Click to hear recordings of what was played
 WV STATE CHAMPIONSHIP 2007 full 32 minute program
Contestant 1
Contestant 2
Contestant 3
Contestant 4
Contestant 5   3rd Place
Contestant 6
Contestant 7   1st Place
Contestant 8
Contestant 9   2nd Place
Jam Session after Championship


Brian Salters recieves first place trophy


Our judges from left to right
Kevin Morris, singer from The Messengers
Bill Murray from WSAZ news
Larry Strickler from Marshall University
Dave Ball , bass player for The 1937 Flood



After the awards we had an open jam session for members of  The Harmonica Club and contestants  from the championship

Here's an editorial that apperared in The Big Sandy News, written by Tim Preston, one of the contestants.

08/03/2007 - I can't say I felt cheated during last weekend's West Virginia Harmonica Championship. I didn't win and I didn't place, but I got beat by some top-notch players and find no shame in that.

The best part was hearing so many different approaches to the same little instrument. That becomes an important theme later in this column.

While not shamed by my performance, I did, however, mess up in a royal manner with my strategy for the contest. As I've mentioned, I was unsure what song to play to qualify for the "recognizable melody" part of the competition. In classic "reporter" style I started looking for the magical song with less than 24 hours remaining before the contest. I went through dozens of possibilities, and landed between Stevie Wonder's "What'd I Say?" and the classic "Orange Blossom Special" (which I would've played with two harmonicas as taught by Johnny Cash on his TV show in the 60s).

Instead, I decided to take a real gamble. I chose "Amazing Grace," as my opener, offering it in the form of a chord melody instead of the single-note style most people are familiar with. I started rehearsing the song somewhere between Louisa and Huntington, and even found a bittersweet lone-note for the "me" in the line ending with "wretch like me."

My performance before the crowd and the judges, however, had little to do with grace or anything remotely amazing. Making it worse, I think three other harmonica players also chose "Amazing Grace" as their first selection, and each of them played it far better than I did. One guy in particular, who I believe may have won the big trophy and title, had us all hanging on his every note. I honestly can't imagine anyone doing the song any better on any instrument.

And, another contestant played "Orange Blossom Special," with two harmonicas. I should've gone with the boogie magic of the Stevie Wonder song.

My second strategic mistake was rejecting an offer from a local guitarist who was willing to jump in and back me up at the last minute. The guy was good and played behind a couple of the other contestants, enhancing their performance considerably. Instead, I chose to play "Raw Dog Riding the Rails," which is my title for anything I do solo without rehearsal, just closing my eyes and waiting to see what comes out of the old Hohner.

As part of that, I maintained the chord approach and included the classic "train whistle" which is an essential part of any harmonica player's bag of tricks. I then sent the "chugga-chugga" sound of the engine's drivers into the microphone, hit the horn one more time and promptly derailed that whole locomotive straight off a curve and a thousand feet over an embankment into the river.

I'm not sure what happened ? I think I had a hiccup or maybe swallowed a bug. Regardless, my momentum was lost and there wasn't much I could do to redeem myself. The audience gave me a surprisingly enthusiastic response and I was just glad to say I'd gotten through it.

A real treat for everyone there was the performance by the guy who followed me, and ultimately claimed third place. He said his name was simply "Skinny Boy," and he came to West Virginia by way of Japan.

Skinny Boy gave us a taste of blues, bluegrass and Tokyo, divided into two fascinatingly different phases. Knowing he had beaten me before he even left the stage, I bought him a hot dog and we watched the rest of the competition together, cheering often for those who got our attention with an added flourish or riff. I just heard the raw recordings of it, apparently we were right beside a microphone because you can clearly hear both of us saying things like "Ya!" when someone slipped something extra good in there.

Another treat of the contest was a chance to share the stage with Eddie "Blue" Dawson and Jim Rumbaugh (among others) on "Big Legged Woman" during a jam session while the judges were adding up their scores. I don't know Dawson, but can attest the man can play the daylights out of his harp. In addition to having the most legit blues man's hat in the crowd, Rumbaugh also showed he had considerable blues harp chops.

Huntington's harmonica crowd gets together at a coffee shop on Tuesday evenings. After the championship, Rumbaugh sent me a message saying, "I'm counting on you to bring in some more good 'ole boys from down in Ky. I wanna hear some wailin'."

Odds are I'll never make it to Huntington on a Tuesday evening (one of two press nights we face every week). But we should at least send Kenny from Cornbread Orchestra down there to let them know what some of our better local musicians are capable of doing.